GIRL
it's so confusing sometimes to be a...💋🎀🫧GIRL🫧🎀💋
coming march'26
What does girlhood look like on screen? How has that representation changed over the years? Who gets to be a girl in film — and who gets left out?
This March, the month in which we celebrate International Women’s Day, we take a look at girlhood on screen. GIRL is inspired by the Girlhood exhibition at MoMu Antwerp and takes its questions into the cinema. The program looks at how films have shaped our ideas of girlhood: not as an age, but as a social concept, a mood, a way of being. Something that can stick with you long after childhood. Or, as Charli xcx puts it: “I’m just a girl, but that doesn’t mean I’m not in control.”
Cinema has given us iconic girlhood images (friendship, freedom, fantasy, fun) but also presents a lot of baggage. The pressure to be hot but effortless, cute but not childish, desirable but not “too much.” Think makeover movies, body obsession, the cool-girl myth, romantic tropes we secretly love and side-eye at the same time.
This program brings together films that made a difference, films we grew up with, and films that challenge familiar clichés and present voices that deserve to be heard. We’re especially interested in what’s missing: young queer girlhood, stories that aren’t only serious or about coming out, and representations that allow girls to be messy, funny, angry, bored or powerful.
GIRL is about recognition — and the lack of it.
About pressure and power.
And about why girlhood on film still matters.
It’s confusing to be a girl, but in sharing the confusion, girlhood really comes together
in this program... 💋
Eve's Bayou
Kasi Lemmons, 1997
Through the eyes of a young girl, family secrets, desire, and betrayal slowly unravel within a seemingly refined Southern Black household.
Ghost World
Terry Zwigoff, 2001
A sharp, deadpan portrait of teenage alienation that follows two misfit girls drifting uneasily between irony, cruelty, and adulthood.
Girl, Interrupted
James Mangold, 1999
Set inside a psychiatric hospital, the film traces how young women navigate identity, rebellion, and intimacy under institutional control.
Girlhood (Bande de filles)
Céline Sciamma, 2014
Moving between friendship, violence, and performance, the film captures a Black French teenager reshaping herself across shifting social spaces.
Hellbender
John Adams, Zelda Adams, Toby Poser, 2021
A mother and daughter living off the grid confront the terrifying implications of inherited power, freedom, and isolation.
Mädchen in Uniform
Leontine Sagan, 1931
Within the rigid confines of a Prussian boarding school, suppressed desire and authoritarian discipline collide with devastating consequences.
Picnic at Hanging Rock
Peter Weir, 1975
An unexplained disappearance during a school outing transforms the Australian landscape into a site of mystery, repression, and unease.
Pippi Langkous (NL)
Olle Hellbom, 1969
An anarchic child with superhuman strength gleefully dismantles adult authority while redefining independence on her own playful terms.
Shiva Baby
Emma Seligman, 2020
A single afternoon spirals into social horror as a young woman navigates family expectations, sexual ambiguity, and relentless scrutiny.
Skate Kitchen (in collaboration with Skate Store Den Haag)
Crystal Moselle, 2018
Blending fiction and documentary, the film follows a teenage skater finding belonging and self-worth within a fiercely supportive female crew.
The Virgin Suicides
Crystal Moselle, 2018
Recounted through distant male observers, the lives of five sheltered sisters remain hauntingly unknowable even in death.
Twilight
Catherine Hardwicke, 2008
A teenage romance unfolds at the intersection of desire and danger, where immortality amplifies emotional dependency rather than escape.
Uptown Girls
Boaz Yakin, 2003
A reckless young woman and a tightly controlled child form an unlikely bond that reframes maturity as emotional, not chronological.
Our girls
Girls on Film
introducing 'The Virgin Suicides'
On March 6th, Girls on Film kicks off The Virgin Suicides with a sharp feminist introduction. This Antwerp-based collective amplifies women’s voices in cinema through monthly screenings, community, and their podcast.
Annefleur Schipper
Introducing 'Twilight'
On March 15th, journalist and podcastmaker Annefleur Schipper will introduce Twilight with a high-camp lecture on its cult status, queerness, and deliciously awkward legacy. Drawing on her pop-culture expertise—and her Berlinale interview with Kristen Stewart—Schipper unpacks Twilight’s grip on the queer imagination since 2008, from iconic one-liners to unhinged plot turns and music cues.
Claire Marie Healey
(Video)introducing 'Mädchen in Uniform' and 'Picnic at Hanging Rock'
The screenings of Mädchen in Uniform and Picnic at Hanging Rock will be introduced via a special video message by Claire Marie Healy. Drawing on her work across film, art, and girlhood studies, Healy reflects on how these films shaped—and continue to shape—visual culture, femininity, and desire.
Marta Kornacka
Introducing 'Hellbender'
On March 19th, Marta Kornacka will introduce Hellbender, setting the tone for a wild ride into folk horror. As a programmer at Filmhuis Den Haag and a true horror enthusiast, she’ll frame the film’s raw energy, family dynamics, touch on girlhood and genre-bending thrills.
Skate Session in collaboration with Skatestore Den Haag
Prior to the screening on March 19th, Skatestore Den Haag is organizing a skate session on Spuiplein. Stop by, show us your best tricks and kickflip your way into Filmhuis for the screening of Skate Kitchen. No registrations needed for the skate sesh. More information will follow soon!
Turn up the volume and dive into our GIRL playlist! Packed with the ultimate girly anthems that make every day feel like a scene from your favorite movie
A note on Pippi
In March, we will be screening Pippi Longstocking as part of our feminist program GIRL. Pippi is regarded as an iconic symbol of independence and autonomy, but the film was made in a different era. It contains racist terms and stereotypes that are part of the original material. We want to emphasize that Filmhuis Den Haag explicitly distances itself from these views. We have chosen to screen the film unaltered, while acknowledging that certain elements may be hurtful and offensive. By showing the film as it was originally made, we aim to foster awareness and discussion. Additionally, we are presenting it in this context to celebrate Pippi’s feminist strength. Curious or want to share your thoughts? Please email info@filmhuisdenhaag.nl